Oil On Canvas, Real Flavor of Old Masters

All John Constable 's Paintings
The Painting Names Are Sorted From A to Z

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ID Image  Painting (From A to Z)       Details 
66249  
''Malvern Hall'', John Constable
  		 ''Malvern Hall''   1809, oil on canvas, Tate Gallery, London.
52462  
A Boat at the Sluice, John Constable
  		 A Boat at the Sluice   Oil on canvas
32965  
A boat passing a lock, John Constable
  		 A boat passing a lock   mk82 1826
32993  
A boat passing a lock, John Constable
  		 A boat passing a lock   mk82 1826
32995  
A boat passing a lock, John Constable
  		 A boat passing a lock   mk82 1826
33165  
A boat passing a lock, John Constable
  		 A boat passing a lock   mk82 1826 oil on canvas 101.6x127
33122  
A cart and horses,with a carter and a dog, John Constable
  		 A cart and horses,with a carter and a dog   mk82 c.1814
32843  
A Cornfield, John Constable
  		 A Cornfield   mk81 1817
32947  
A cottage in a cornfield, John Constable
  		 A cottage in a cornfield   mk82 c.1816-17
32964  
A cottage in a cornfield, John Constable
  		 A cottage in a cornfield   mk82 1815/1813 Oil on canvas 62x51.5cm Victoria and Albert Museum, London
33127  
A cottage in a cornfield, John Constable
  		 A cottage in a cornfield   mk82 c.1815 pencil 10.2x7.9
33128  
A cottage in a cornfield, John Constable
  		 A cottage in a cornfield   mk82 c.1816-17
33125  
A country lane,with a church in the distance, John Constable
  		 A country lane,with a church in the distance   mk82 1816
83573  
A Lane near Flatford, John Constable
  		 A Lane near Flatford   Date between 1810(1810) and 1811(1811) Medium Oil on paper laid on canvas Dimensions Height: 20 cm (7.9 in). Width: 31 cm (12.2 in). cjr
87412  
A Lane near Flatford, John Constable
  		 A Lane near Flatford   between 1810(1810) and 1811(1811) Medium Oil on paper laid on canvas cyf
32948  
A ploughing scene in Suffolk, John Constable
  		 A ploughing scene in Suffolk   mk82 1814
33000  
A ploughing scene in Suffolk, John Constable
  		 A ploughing scene in Suffolk   mk82 1814
33120  
A ploughing scene in Suffolk, John Constable
  		 A ploughing scene in Suffolk   mk82 1814 oil on canvas 50.5x76.5
33163  
A ploughing scene in Suffolk, John Constable
  		 A ploughing scene in Suffolk   mk82 c.1824 oil on canvas 42.5x76.2
33184  
A ploughing scene in Suffolk, John Constable
  		 A ploughing scene in Suffolk   mk82 1814
32969  
A storm off the coast of Brighton, John Constable
  		 A storm off the coast of Brighton   mk82 1824
33160  
A storm off the coast of Brighton, John Constable
  		 A storm off the coast of Brighton   mk82 1824 oil on paper laid on card 14.4x19.3
38754  
A Study for The Leaping Horse, John Constable
  		 A Study for The Leaping Horse   mk141 1824-25 Oil on canvas
33139  
A View at Hampstead Evening 31 july 1822, John Constable
  		 A View at Hampstead Evening 31 july 1822   mk82 oil on paper 16.5x29.8cm
38761  
A Vignette, John Constable
  		 A Vignette   mk141 1829 Oil on canvas
32984  
A voat passing a lock, John Constable
  		 A voat passing a lock   mk82 1826
33171  
A windmill near Brighton, John Constable
  		 A windmill near Brighton   mk82 c.1828-29
33187  
A windmill near Brighton, John Constable
  		 A windmill near Brighton   mk82 c.1828-29
440  
Arundel Mill and Castle, John Constable
  		 Arundel Mill and Castle   1837 The Toledo Museum of Art, Toledo
33118  
Autumnal sunset, John Constable
  		 Autumnal sunset   mk82 c.1812 oil on paper
33185  
Autumnal Sunset, John Constable
  		 Autumnal Sunset   mk82 c.1812
80222  
Beach of Brighton with sailing boats, John Constable
  		 Beach of Brighton with sailing boats   1824(1824) Oil on paper 14,9 x 24,8 cm cjr
98465  
Blick auf die Waterloo-Brucke von Whitehall Stairs, 18. Juni 1817, John Constable
  		 Blick auf die Waterloo-Brucke von Whitehall Stairs, 18. Juni 1817   1832(1832) Medium oil on canvas Dimensions Deutsch: 134,6 x 219,7 cm
98466  
Blick auf Epsom, John Constable
  		 Blick auf Epsom   circa 1808(1808) Medium oil on canvas Dimensions 28 x 34 cm
32976  
Boat-building near Flatford Mill, John Constable
  		 Boat-building near Flatford Mill   mk82 1814-15 Oil on canvas 50.8x61.6cm Victoria and Albert Museum, London
33006  
Boat-building near Flatford Mill, John Constable
  		 Boat-building near Flatford Mill   mk82 1814-15 Oil on canvas 50.8x61.6cm
44233  
Boat-Building on the Stour, John Constable
  		 Boat-Building on the Stour   1814-15 Oil on canvas, 25 x 30 cm
98469  
Boats on the Stour, Dedham Church in the background, John Constable
  		 Boats on the Stour, Dedham Church in the background   circa 1811(1811) Medium oil on canvas Dimensions 26 x 31.1 cm (10.2 x 12.2 in)
87198  
Bootsbau in Flatford, John Constable
  		 Bootsbau in Flatford   Date 1815(1815) Medium Oil on canvas Dimensions 51 x 62 cm cjr
91969  
Bootsbau in Flatford, John Constable
  		 Bootsbau in Flatford   1815(1815) Medium oil on canvas Dimensions 51 X 62 cm cyf
94964  
Bowleaze Cove and Jordon Hill, John Constable
  		 Bowleaze Cove and Jordon Hill   1816 - 17 Type Oil on canvas Dimensions 53 cm x 75 cm cyf
32959  
Branch Hill Pond, John Constable
  		 Branch Hill Pond   mk82 Hampstead 1822
32989  
Branch Hill Pond, John Constable
  		 Branch Hill Pond   mk82 Hampstead 1819 oil on canvas 25.4x30cm
33003  
Branch Hill Pond, John Constable
  		 Branch Hill Pond   mk82 oil on canvas 59.6x77.6cm Victoria and Albert Museum,London
85471  
Branch hill Pond, John Constable
  		 Branch hill Pond   Oil on canvas. Date 1819(1819) cyf
81453  
Branch hill Pond, Hampstead, John Constable
  		 Branch hill Pond, Hampstead   Branch hill Pond, Hampstead. Oil on canvas. Date 1819(1819) cjr
33145  
Branch Hill Pond,Hampstead, John Constable
  		 Branch Hill Pond,Hampstead   mk82 c.1821-22 oil on canvas 24.5x39.4
32966  
Branch Hill Pond,Hampstead Heath with a boy sitting on a bank, John Constable
  		 Branch Hill Pond,Hampstead Heath with a boy sitting on a bank   mk82 c.1825-28
33168  
Branch Hill Pond,Hampstead Heath,with a boy sitting on a bank, John Constable
  		 Branch Hill Pond,Hampstead Heath,with a boy sitting on a bank   mk82 c.1825-28
33155  
Bright Beach with Shipping and a gig to june 1824, John Constable
  		 Bright Beach with Shipping and a gig to june 1824   mk82 oil on paper laid on board 12.4x28.6
33157  
Brighton Beach, John Constable
  		 Brighton Beach   mk82 c.1824 oil on paper laid on canvas 23.8x29.3
33161  
Brighton Beach, John Constable
  		 Brighton Beach   mk82 1824 oil on paper laid on canvas 32.1x50.2
33183  
Brighton Beach, John Constable
  		 Brighton Beach   mk82 1824
33156  
Brighton Beach 12 june 1824, John Constable
  		 Brighton Beach 12 june 1824   mk82 oil on paper 12x29.7
56194  
brighton beach with colliers, John Constable
  		 brighton beach with colliers   mk247 1824,oil on paper,5.875x9.75 in,14.9x24.8 cm,victoria and albert museum,london,uk
33008  
Brighton Beach,with colliers, John Constable
  		 Brighton Beach,with colliers   mk82 1842 oil on paper 14.9x24.8cm
32800  
Chain Pier, John Constable
  		 Chain Pier   mk81 Brighton 1826-7
33174  
Church Farm, John Constable
  		 Church Farm   mk82 langham 1811-15 oil on canvas 19.7x28
33141  
Cllouds 5 September 1822, John Constable
  		 Cllouds 5 September 1822   mk82 oil on paper laid on cardboard 37x49
32963  
Cloud study, John Constable
  		 Cloud study   mk82 1822
33146  
Cloud Study, John Constable
  		 Cloud Study   mk82 182 oil on paper 29.2x48.2
33147  
Cloud Study, John Constable
  		 Cloud Study   mk82 1822 oil on paer 19.8x32
33142  
Cloud Study 6September 1822, John Constable
  		 Cloud Study 6September 1822   mk82 oil on paper 24.4x30.7
33140  
Cloud Study evening 31 August 182, John Constable
  		 Cloud Study evening 31 August 182   mk82 oil on paper 47x58
38765  
Cloud Study over a horizon of trees, John Constable
  		 Cloud Study over a horizon of trees   mk141 1821 Oil on paper laid on board 24.8x29.2cm
98481  
Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London, John Constable
  		 Cloud Study, Hampstead; Tree at Right, Royal Academy of Arts, London   1821 Source repro from art book
33135  
Cloud study,Hampstead,trees at ringt 11September 1821, John Constable
  		 Cloud study,Hampstead,trees at ringt 11September 1821   mk82 oil on paper laid on board 24.1x29.9
33137  
Cloud study,horizon of trees 27 September 1821, John Constable
  		 Cloud study,horizon of trees 27 September 1821   mk82 oil on paper laid on board 25.8x30.5cm
33103  
Clouds, John Constable
  		 Clouds   mk82 5 September 1822
33159  
Coast scene,Brighton, John Constable
  		 Coast scene,Brighton   mk82 c.1824-28
58414  
Constable Dedham Vale of 1802, John Constable
  		 Constable Dedham Vale of 1802   Constable's Dedham Vale of 1802
73204  
Constable MalvernHall, John Constable
  		 Constable MalvernHall   , 1809, oil on canvas cyf
58422  
Constable Seascape Study with Rain Cloud c.1824, John Constable
  		 Constable Seascape Study with Rain Cloud c.1824   Constable's Seascape Study with Rain Cloud c.1824
58419  
Constable The Cornfield of 1826, John Constable
  		 Constable The Cornfield of 1826   Constable's The Cornfield of 1826
58418  
Constable The Hay Wain, John Constable
  		 Constable The Hay Wain   Constable's The Hay Wain of 1821
58417  
Constable Weymouth Bay, John Constable
  		 Constable Weymouth Bay   Constable's Weymouth Bay, c. 1816
98464  
Cottage at East Bergholt, John Constable
  		 Cottage at East Bergholt   painting
33179  
Cowdray House:The Ruins 14 Septembr 1834, John Constable
  		 Cowdray House:The Ruins 14 Septembr 1834   mk82 watercolour and pencil,on two conjoined sheers 26.5x27.4
98470  
Das Haus des Admirals in Hampstead, John Constable
  		 Das Haus des Admirals in Hampstead   1821-1822 Medium oil on canvas Dimensions 60 x 50 cm
98472  
Das Stour-Tal mit der Kirche von Dedham, John Constable
  		 Das Stour-Tal mit der Kirche von Dedham   1814-1815 Medium oil on canvas Dimensions 55,3 x 78,1 cm
98473  
Das Waterloo-Fest in East Bergholt, John Constable
  		 Das Waterloo-Fest in East Bergholt   1st quarter of 19th century Medium oil on canvas Dimensions 23 x 33,5 cm
33123  
Dedham from near Gun Hill,Langham, John Constable
  		 Dedham from near Gun Hill,Langham   mk82 c.1815 oil on paper laid on canvas 25.1x30.5cm
30676  
Dedham Lock and Mill, John Constable
  		 Dedham Lock and Mill   mk68 Oil on canvas London,Victoria and Albert Museum 1820 Britain
33923  
Dedham Lock and Mill, John Constable
  		 Dedham Lock and Mill   mk87 1820 Oil on canvas 53.7x76.2cm London,Vicotria and Albert Museum
21436  
Dedham Lock and Mill (mk09), John Constable
  		 Dedham Lock and Mill (mk09)   1820 Oil on canvas,53.7 x 76.2 cm London,Victoria and Albert Museum
40661  
Dedham Mill, John Constable
  		 Dedham Mill   mk156 1820 Oil on canvas 70x90.5cm
53882  
Dedham seen from Langham, John Constable
  		 Dedham seen from Langham   mk234 about 1813 13.5x19cm
32974  
Dedham Vale, John Constable
  		 Dedham Vale   mk82 1802 Oil on canvas 43.5x34.4cm
98463  
Dedham Vale, John Constable
  		 Dedham Vale   c. 1810(1810) Medium oil on board
98474  
Der Heuwagen, Studie, John Constable
  		 Der Heuwagen, Studie   circa 1821(1821) Medium oil on canvas Dimensions 137 x 188 cm
31838  
Details of The White horse, John Constable
  		 Details of The White horse   mk76 Dated 1819 Oil on canvas 51 3/4x74 1/8in
98476  
Die Kathedrale von Salisbury vom Flub aus gesehen, mit dem Haus des Archidiakonus Fischer, Skizze, John Constable
  		 Die Kathedrale von Salisbury vom Flub aus gesehen, mit dem Haus des Archidiakonus Fischer, Skizze   1827(1827) Medium oil on canvas Dimensions 52,5 x 77 cm
92503  
Die Kathedrale von Salisbury vom Garten des Bischofs aus gesehen, John Constable
  		 Die Kathedrale von Salisbury vom Garten des Bischofs aus gesehen   1823(1823) Medium oil on canvas Dimensions 87,6 X 111,8 cm cjr
88163  
Die Valley Farm, John Constable
  		 Die Valley Farm   c. 1835(1835) Medium Oil on canvas Dimensions 147 x 125 cm cjr
38759  
East Bergholt, John Constable
  		 East Bergholt   mk141 1831 The Artist-s Birthplace
68838  
east bergholt rectory, John Constable
  		 east bergholt rectory   1810 oil on canvas 15.5x24.5cm se
56521  
en studie av himmel och trad, John Constable
  		 en studie av himmel och trad   mk248 for constable innebar bimmelsiakttagelsiakttagelser att gora sma studier i olja av moln med detakjerade anteckningar skrivna pensselstreck ocb over lappen deferger, vilket gav djup at molnformationen, studierna var inte nodvadigtvis en del av en storre komposition utan atergav vader ljus ocb farg pa ett speciellt avsnitt av bimlen.
32988  
Evening, John Constable
  		 Evening   mk82 31 Auguse 1822
33114  
Flatford Lock 1810-12, John Constable
  		 Flatford Lock 1810-12   mk82 Oil on canvas laid on board 18.7x24.4cm
33150  
Flatford Lock 19April 1823, John Constable
  		 Flatford Lock 19April 1823   mk82 pencil and grey wash,on two adjoining sheets from a sketchbook 17.2x31.7cm
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John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy



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